Category Archives: home design

Hill and Ville

NOTE: The following post was created in Fall 2011 during Community Building. Some of the text refers to specific things that occurred in class at that time, however the overall point remains apropos.

Reflecting on the music and discussion we had in yesterday’s class. The drawings the students’ worked on were representations of The Ville and The Hill. It almost seems too cute in the way they rhyme but there’s certainly a logic involved in making the comparison.

One of the things about the two tours that strikes me is that I felt our visit to The Hill tended to preference the built fabric and the vernacular sense of continuity that makes for a very compelling and cohesive neighborhood. The insistent repetition of the overall house forms had an almost numbing effect in some areas despite the individuality of each home not just architecturally, but also in the way each family ornamented and presented their homes to the public.

My suspicion is that it would have been possible to visit The Ville and take a tour with a similar sense of architectural continuity. Our tour tended to favor the larger institutional buildings and organizations over the urban fabric of the residential community. When we did look at homes, they tended to be unique for historical reasons and due to the residents who grew up there rather than for their architectural or urban content.

There’s nothing wrong with this difference between the tours, but it does lead to a varied perception. Clearly much of the difference that was noted related to the general comfort and ease with which we generally felt in visiting The Hill. Part of that has to do with the “branding” of the neighborhood as a source for Italian culture and food that is widely known and appreciated in Saint Louis. Also, the neighborhood itself has made a particular point of reminding visitors (and residents) that they are in the “Italian” section of the city.

Bob’s explanations have made it clear that while Italians were among the original residents of the area, it wasn’t a monolithic culture that dominated the area in the way that I think is suggested by the constant reminders (flags, banners, fire hydrants, etc.). In fact, the branding has so successful as a strategy for attracting restaurants and bakeries, that there seems to be a much higher concentration of such businesses in the area than could be supported by the local economy. The great number and variety (and expense) of many of the restaurants clearly seem to be in business because they attract customers from a relatively wide area.

It seems that this dominance of branding neighborhoods has been so successful in certain respects that it tends to suppress many other features of the community that are beneficial, but not publicly understood to be connected with The Hill. It would be interesting to take photographs of less typical sections of The Hill that might be suggestive of other cultures, practices and locations and to present them to a group and ask them to identify the neighborhood in which they were taken.

I suspect that it would be possible to find buildings and sites and locations just within The Hill that could be suggestive of the industrial riverfront areas, Soulard, Wellston, The Ville, Clayton and West County. In a similar way, I suspect one could take photographs of various locations around the city to could be considered to fit into the image that is commonly accepted for The Hill and have people identify them as having been taken there, when in fact they represent restaurants, homes, churches, parks and businesses in other parts of the city.

So what does this mean? Does it mean that the representations of The Hill that we have ingrained in our minds is false? I don’t think that’s the case, however it does suggest that we’re somewhat brainwashed in the way we understand segments of the city. I wonder to what extent our preconceptions determine our reactions?

Another thought experiment might be to take students on a drive blindfolded and then arrive somewhere without knowing where they are going in advance. Then they would be forced to really “read” the city they find themselves in for clues and information about its condition, history, demographics, prosperity, density, etc.

Our conversation about the drawings was instructive, but also revealed some things about our own ideas and how we project them onto situations. Someone commented that, “Well of course we feel more comfortable going to The Hill, since we all have a European background.” I felt this statement was, at a minimum, insensitive.

My sense is that part of the intentions behind the class has to do with overcoming stereotypes and preconceptions that we have about people and places that cause us to distort reality and block us from really seeing things as they are.

After writing this post, I decided to go ahead with my thought experiment and take still frames from the video I shot during our visits to the Hill and the Ville. Can you identify which are which?

















Please test yourself and put down whether you think each photograph was taken in The Hill or The Ville.

Buckminster Fuller’s Old Man River

R. Buckminster Fuller worked with Washington University Professor of Architecture James Fitzgibbon. Here is a portion of text by Fuller discussing the project:

Having undertaken the solution by artifacts of the world’s great housing crisis, I came to regard the history of cities. Cities developed entirely before the thought of electricity or automobiles or before any of the millions of inventions registered in the United States Patent Office. For eminently mobile man, cities have become obsolete in terms of yesterday’s functions-warehousing both new and formerly manufactured goods and housing immigrant factory workers. Rebuilding them to accommodate the new needs of world man requires demolition of the old buildings and their replacement of the new and now obsolete real estate, streets, water and sewer lines, and yesterday’s no longer logical overall planning geometries. I sought to take on this challenge and developed plans for an entirely feasible and practical new way for humans to live together economically. Old Man River’s City is one such design.

Old Man River’s City, undertaken for East St. Louis, Illinois, takes its name from the song first sung by Paul Robeson fifty years ago, which dramatized the life of Afro-American blacks who lived along the south-of-St. Louis banks of the Mississippi River in the days of heavy north-south river traffic in cotton. Cessation of the traffic occurred when the east-west railway network outperformed the north-south Mississippi, Mexican Gulf, and Atlantic water routes, which left many of its riverbank communities, such as East St. Louis, marooned in economic dead spots. East St. Louis is an American city overwhelmed by poverty. Its population of 70,000 is 70 percent black.

I originally came to East St. Louis to discuss the design and possible realization of the Old Man River’s City, having been asked to do so by East St. Louis community leaders themselves, being first approached by my friend Katherine Dunham, the famous black dancer. At the community leaders’ request I presented a design that would help solve their problem. It is moon-crater-shaped: the crater’s truncated cone top opening is a halfmile in diameter, rim-to-rim, while the truncated mountain itself is a mile in diameter at its base ring.

You can read the entire piece A Community Dwelling Machine by clicking here.

Sears Prefabricated Homes