Tag Archives: community

St. Louis City Sustainability Plan

SUSTAINABILITY PLAN EVENTS

The City has issued a Draft For Public Review of its Sustainability Plan. During the month of October, the City will conduct an outreach and awareness campaign called Sustainability Plan :: inform. There will be several opportunities to attend a free public presentation describing the process and contents of the City’s proposed Sustainability Plan.

The City’s official Sustainability Plan will be issued in January 2013, and the Mayor’s Sustainability Summit III :: implement will be held in 2013 on a date to be determined.

Logo with red

 

From St. Louis Sustainability MeetUp:

If you haven’t read the City’s new (proposed) Sustainability Plan, please click the link below and do so now. If you can’t read the whole thing, at least examine the sections that pertain to your interests, such as health care, education, transportation, jobs, food, etc. And then, please make commenting on the plan a priority.

The link to the whole plan and its many sections is on the City website. You’ll also find the plan at area libraries. Written comments will be accepted until November 14, 2012; the City encourages you to take advantage of the online Comment Form. Information about public presentations relating to the Draft Plan is posted on the Sustainability Website (http://stlouis-mo.gov/sustainability/).

The authors of this plan spent two years assembling it. It may or may not ever be implemented, or even be made actionable. But it presents an opportunity for all of us to readdress Chris’ original reasons for starting this MeetUp. What is Sustainable Development? How do you envision the coming years of transition? What could we do to make our region more resilient?

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St. Louis International Film Festival

Bob recommends seeing as many of the following six documentaries being shown this month as a part of the SLIFF (St. Louis International Film Festival) program this fall.

You can download the schedule of documentaries being shown by clicking this text.

• Saturday November 10, 1:15 PM, Plaza Frontenac: BETTING THE FARM

Betting the Farm

Betting the Farm



• Sunday November 11, 4 PM, Tivoli: GETTING UP: THE TEMPT ONE STORY

Getting Up

Getting Up



• Wednesday November 14, 7 PM, Hi-Pointe: ENVISIONING HOME

Envisioning Home

Envisioning Home



• Thursday November 15, 7:15 PM, Tivoli: THE PREP SCHOOL NEGRO

Prep School Negro

Prep School Negro



• Friday November 16, 6:30 PM, Wash U / Brown School: DIGNITY HARBOR

Dignity Harbor

Dignity Harbor



• Saturday November 17, 12 noon, Wash U / Brown School: THE SECOND EXECUTION OF ROMELL BROOM

The Second Execution of Romell Broom

The Second Execution of Romell Broom


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Hill and Ville

NOTE: The following post was created in Fall 2011 during Community Building. Some of the text refers to specific things that occurred in class at that time, however the overall point remains apropos.


Reflecting on the music and discussion we had in yesterday’s class. The drawings the students’ worked on were representations of The Ville and The Hill. It almost seems too cute in the way they rhyme but there’s certainly a logic involved in making the comparison.

One of the things about the two tours that strikes me is that I felt our visit to The Hill tended to preference the built fabric and the vernacular sense of continuity that makes for a very compelling and cohesive neighborhood. The insistent repetition of the overall house forms had an almost numbing effect in some areas despite the individuality of each home not just architecturally, but also in the way each family ornamented and presented their homes to the public.

My suspicion is that it would have been possible to visit The Ville and take a tour with a similar sense of architectural continuity. Our tour tended to favor the larger institutional buildings and organizations over the urban fabric of the residential community. When we did look at homes, they tended to be unique for historical reasons and due to the residents who grew up there rather than for their architectural or urban content.

There’s nothing wrong with this difference between the tours, but it does lead to a varied perception. Clearly much of the difference that was noted related to the general comfort and ease with which we generally felt in visiting The Hill. Part of that has to do with the “branding” of the neighborhood as a source for Italian culture and food that is widely known and appreciated in Saint Louis. Also, the neighborhood itself has made a particular point of reminding visitors (and residents) that they are in the “Italian” section of the city.

Bob’s explanations have made it clear that while Italians were among the original residents of the area, it wasn’t a monolithic culture that dominated the area in the way that I think is suggested by the constant reminders (flags, banners, fire hydrants, etc.). In fact, the branding has so successful as a strategy for attracting restaurants and bakeries, that there seems to be a much higher concentration of such businesses in the area than could be supported by the local economy. The great number and variety (and expense) of many of the restaurants clearly seem to be in business because they attract customers from a relatively wide area.

It seems that this dominance of branding neighborhoods has been so successful in certain respects that it tends to suppress many other features of the community that are beneficial, but not publicly understood to be connected with The Hill. It would be interesting to take photographs of less typical sections of The Hill that might be suggestive of other cultures, practices and locations and to present them to a group and ask them to identify the neighborhood in which they were taken.

I suspect that it would be possible to find buildings and sites and locations just within The Hill that could be suggestive of the industrial riverfront areas, Soulard, Wellston, The Ville, Clayton and West County. In a similar way, I suspect one could take photographs of various locations around the city to could be considered to fit into the image that is commonly accepted for The Hill and have people identify them as having been taken there, when in fact they represent restaurants, homes, churches, parks and businesses in other parts of the city.

So what does this mean? Does it mean that the representations of The Hill that we have ingrained in our minds is false? I don’t think that’s the case, however it does suggest that we’re somewhat brainwashed in the way we understand segments of the city. I wonder to what extent our preconceptions determine our reactions?

Another thought experiment might be to take students on a drive blindfolded and then arrive somewhere without knowing where they are going in advance. Then they would be forced to really “read” the city they find themselves in for clues and information about its condition, history, demographics, prosperity, density, etc.

Our conversation about the drawings was instructive, but also revealed some things about our own ideas and how we project them onto situations. Someone commented that, “Well of course we feel more comfortable going to The Hill, since we all have a European background.” I felt this statement was, at a minimum, insensitive.

My sense is that part of the intentions behind the class has to do with overcoming stereotypes and preconceptions that we have about people and places that cause us to distort reality and block us from really seeing things as they are.


After writing this post, I decided to go ahead with my thought experiment and take still frames from the video I shot during our visits to the Hill and the Ville. Can you identify which are which?

#1

#2

#3

#4

#5

#6

#7

#8

#9

#10

#11

#12

#13

#14

#15

#16

Please test yourself and put down whether you think each photograph was taken in The Hill or The Ville.

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1904 St. Louis World’s Fair

 

 

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Drycleaning for the unemployed

Generosity, kindness and empathy. We need more of these in the world.

A friend of mine posted this on their Facebook page. I don’t know the original of the photograph.

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